Equilibrium - by Hanna Stiebel

Polished Aluminum - 1991, Detroit Michigan

"In my work, I try to create challenges for myself. To have large forms balance in space, with no reasonable explanation to the naked eye, is an immense challenge. The answer of course lies in the carefully engineered unseen infrastructure. From that point of view, balance enters into the realm of engineering. I've always been drawn to physics and chemistry and mathematics. The basics of physics exist in everything, even in music. The classically imposed order of "Equilibrium" reveals the harmonious relationship of solid to void, form to space and note to musical motif. Variations on a theme, juxtaposition of round form to straight form and positive shape to negative shape create a movement in space, a tension and visual unity akin to a perfectly choreographed dance. I have learned so much as a dancer. A ballerina on point has been my point of departure. I have taken that delicate balance that exists in all forms and translated it into different mediums."

Her interest lies in having her sculpture relate to the environment, to the architecture and the people around it. She desires that people become a part of it…and to be moved aesthetically. Most of all, Stiebel invites viewers to walk around Equilibrium to experience the changes and integration of forms that meld into one total composition. She adds, "It is important to see the spaces define themselves, expand and contract according to life's views."